Playwrights: Antlia Pneumatica; Mr. Burns, a post-electric play. Other plays include 10 out of 12, Little Bunny Foo Foo, The Internationalist, A Devil At Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Small, and transadaptations of Euripides' Orestes & Iphigenia in Aulis. Her work has been produced by 13P, Actors Theatre of Louisville, The Almeida, American Repertory Theatre, Cherry Lane Theatre, Classic Stage Company, Clubbed Thumb, The Civilians, Dixon Place, Ensemble Studio Theater, The Folger, The Gate, The Guthrie, Playwrights Horizons, Red Eye, Soho Rep., Studio Theater, Two River Theater Company, Vineyard Theater, and Woolly Mammoth. Honors include a Whiting, a Guggenheim, an Alpert Award, a PEN/Laura Pels Award for an artist in mid-career, a NYFA Fellowship, a Time Warner Fellowship, Susan Smith Blackburn finalist, and residencies at MacDowell and Yaddo. She is an associated artist with The Civilians, Clubbed Thumb, New Georges, Chochiqq, and is an alumna of New Dramatists and 13P.

Credits include Bloody Bloody Andrew Jackson (Broadway and the Public Theater) Unknown Soldier, The Fortress of Solitude, Love’s Labour’s Lost, and Mr. Burns. With The Civilians: Canard Canard Goose, Gone Missing, Nobody’s Lunch, This Beautiful City, In the Footprint, The Great Immensity, Paris Commune, Pretty Filthy, and The Abominables. He was the Artist-in-Residence and Director of the Public Forum at the Public Theater and Artistic Director of City Center Encores! Off-Center. He received the 2007 OBIE Award for sustained excellence and was honored with a star on the Playwright’s Sidewalk at the Lucille Lortel Theatre in 2018.

Steve Cosson is a writer and director. Directing highlights include Spring Awakening (Olney  Theatre), Anne Washburn’s A Devil at Noon (Humana Festival, O’Neill), Bus Stop (Kansas City Rep), U.S. premiere of Martin Crimp’s Attempts on Her Life (Soho Rep). He is the founding Artistic Director of the Civilians. The company creates original works of investigative theater that have been performed Off-Broadway and in over 40 cities nationally and internationally. Highlights of work with the Civilians include Anne Washburn’s Mr. Burns (Woolly Mammoth Theatre, The Washington Post’s #1 play for 2012), Bess Wohl/Michael Friedman’s Pretty Filthy, Paris Commune (2012 BAM Next Wave), The Great Immensity, The Next Forever created for the 2012 TED Conference, In The Footprint (Top 10 of 2010 in NY Times, Time Out, New Yorker), This Beautiful City,(I Am) Nobody’s Lunch and Gone Missing (NY Times Top 10 of 2007). These works and others have been produced at The Public Theater, La Jolla Playhouse, Vineyard Theatre, Barrow Street, Woolly Mammoth, Kansas City Rep, Actors Theatre of Louisville, American Repertory Theater, Center Theater Group, HBO’s Comedy Festival, MoMA, The Gate Theatre and Soho Theatre in London and many others. His plays are published by Oberon Books, Dramatists Play Service and an anthology from Playscripts. As of June 2013.