The Antiquities
- Written by Jordan Harrison
- Co-directed by David Cromer
- Co-directed by Caitlin Sullivan
Jordan Harrison was a Pulitzer Prize finalist for Marjorie Prime, which had its New York premiere at Playwrights Horizons after premiering at the Mark Taper Forum. Other plays include Maple and Vine, Log Cabin, and Doris to Darlene (all at Playwrights Horizons), The Amateurs (Vineyard Theatre), The Grown-Up (Humana Festival), Amazons and their Men (Clubbed Thumb), Futura (NAATCO), Act a Lady (Humana Festival), and Finn in the Underworld (Berkeley Rep). He is the recipient of the Horton Foote Prize, the Kesselring Prize, and a Guggenheim Fellowship. TV: Three seasons as writer-producer on the Netflix series “Orange is the New Black,” as well as Netflix’s “GLOW” and AMC’s “Dispatches from Elsewhere.” A print collection of Jordan’s work, Maple and Vine & Other Plays, will be published later this year by TCG.
David Cromer (Co-director) directed the world premiere of Prayer for the French Republic off-Broadway. Also in New York his credits include Camp Siegfried, A Case for the Existence of God, The Sound Inside, The Band’s Visit, The Treasurer, The House of Blue Leaves, Brighton Beach Memoirs, Nikolai and the Others, The Effect, When the Rain Stops Falling, Tribes, Adding Machine, Our Town, and Orson’s Shadow. For his work he has received a Tony Award, a Drama Desk, three Obies, three Lortels, and in 2010 he was named a MacArthur Foundation fellow.
Caitlin Sullivan is a director and theater maker based in New York City. Recent work includes Find Me Here (Crystal Finn/Clubbed Thumb), The Keep Going Songs (The Bengsons/LCT3), The Good John Proctor (Talene Monahon/Bedlam), Nova (Obehi Janice/Royal Lyceum Theatre Edinburgh and Pemberley Productions), United States vs Gupta (Deepali Gupta/JACK in collaboration with New Georges), WORK HARD HAVE FUN MAKE HISTORY (reid tang/Clubbed Thumb), Ohio (The Bengsons/Actors Theatre of Louisville and piece by piece productions), and Sanctuary City (Martyna Majok/NYTW). Caitlin co-founded Seattle's critically acclaimed Satori Group. As Artistic Director, she created and/or directed seven original works. Born and raised in Boston (Dorchester!), Caitlin is a graduate of Williams College; an alum of the Drama League Directors Project, the Clubbed Thumb Directing Fellowship and the New Georges Jam; and a New Georges Affiliate Artist. www.caitlinesullivan.com
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.
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Co-produced with the Vineyard Theatre and the Goodman Theatre
“Marjorie Prime, Jordan Harrison’s elegant, thoughtful and quietly unsettling drama… keeps developing in your head, like a photographic negative, long after you’ve seen it. Written and performed with exquisite carefulness, [it] succeeds handily as a piece of futuristic speculation, as a rumination on technology… More important, Mr. Harrison’s play succeeds as a poignant portrayal of everyday existences, of unexceptional people given just enough characterizing detail to make us fear for their losing what individuality they have.”
— The New York Times
“Filled with dazzling wordplay, archaic vocabulary, and odd malapropisms, the theatrical worlds of Jordan Harrison lift language off the page and into three-dimensional space, creating a universe that is surreal and sublime, brainy and beautiful — and wholly his own.”
— The Brooklyn Rail
