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Anne Kauffman

Described by The New York Times as “one of the leading lights of downtown theater,” Anne has directed at most major New York non-profit and regional theaters. Her recent credits include, Marjorie Prime by Jordan Harrison with Playwrights Horizons, Buzzer by Tracey Scott Wilson with The Public Theater, The Nether by Jennifer Haley with MCC, You Got Older by Clare Barron with P73 Productions (Obie Award), Smokefall by Noah Haidle at The Goodman Theater and South Coast Rep, 100 Days a new musical by The Bengsons at Z Space in San Francisco, Your Mother's Copy of the Kama Sutra by Kirk Lynn with Playwrights Horizons, The Muscles in Our Toes by Stephen Belber with the Labyrinth Theater Company. Other credits include: Lisa D’Amour’s Pulitzer Prize finalist play Detroit starring David Schwimmer and Amy Ryan at Playwrights Horizons (NY Times, New York Magazine, and TimeOut NY Top 10 Productions of 2012), Maple and Vine also at Playwrights Horizons, Somewhere Fun by Jenny Schwartz at the Vineyard Theater, Amy Herzog’s Belleville for Yale Rep, NY Theatre Workshop and Steppenwolf (Lortel Nomination for Best Director), Chloe Moss’ This Wide Night starring Edie Falco and Alison Pill for Naked Angels (Lortel Nomination for Best Director), the musical We Have Always Lived in the Castle by Adam Bock and Todd Almond with Yale Rep, Stunning by David Adjmi and Greg Pierce’s Slowgirl for LCT3, You Better Sit Down: Tales From My Parents' Divorce with The Civilians at Williamstown, ArtsEmerson and The Flea, God's Ear by Jenny Schwartz with New Georges and the Vineyard.

She is a Sundance Program Associate, a Usual Suspect at New York Theatre Workshop, an alumna of the Soho Rep. Writers and Directors Lab, a current member of Soho Rep.’s Artistic Council, Lincoln Center Directors Lab, The Drama League of New York, a founding member of The Civilians, an Associate Artist with Clubbed Thumb and member of New Georges' Kitchen Cabinet. From 2000-2006, Anne was on the directing faculty at NYU. She received her MFA in directing from UCSD, and a BA in Slavic Languages and Literature and Theater from Stanford University.

Anne’s awards include two Obie Awards, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, the Barrymore Award for Best Director, and a Lilly Award. (As of February 2016)

Reviews

More Reviews

Trailer

What is Astrology?

What do your sun, moon, and rising signs say about you? The cast members of ‘A Life’ explore their astrological charts and find out.

Trailer

A Life Trailer

Hopelessly single Nate Martin (David Hyde Pierce) obsessively questions his past and his place in the cosmos. The answer he receives, when it comes, is shockingly obvious — yet totally unpredictable.

Trailer

First Rehearsal Photos: A Life

The energy in the room was on fire! We couldn't be more charged up to begin work on Adam Bock's ‘A Life,’ equipped with an amazing team and cast.

Interview

Symposium with Adam Bock

Adam Bock gets to ask the questions about ‘A Life’, talking with Susan Cheever and Ren Dara Santiago about memoirs, writing, and so much more.

Interview

Artist Interview: Adam Bock

Adam Greenfield: I feel like we should start this interview by saying to anyone who’s reading this: Stop reading this if you haven’t seen the play yet! Adam Bock: Right. AG: Because— AB: Right.That would be a spoiler.

Interview

David Hyde Pierce on LIVE with Kelly

David Hyde Pierce made a splash on LIVE with Kelly, chatting all about ‘A Life’ as well as the upcoming ‘Hello, Dolly’ on Broadway. As it turns out, not only did David Hyde Pierce get his start and equity card here at Playwrights, but so did Matt Bomer!

Playwrights' Perspectives

Playwright's Perspective: Adam Bock

Four years ago my parents died. First my mother and then, seven weeks later, my father. He was always a gentleman, and he loved her and she loved him, and I tell people he held the door for her and then followed her through it.

Essay

From the Artistic Director: A Life

Adam Bock looks life straight in the eye. The truth has got to be there somewhere, doesn’t it? Maybe we can sneak up on it? Adam’s work always starts out easy. We recognize his characters right away: seemingly ordinary, oft-overlooked, he tunes in to the fresh vernacular poeticism of their daily speech. We laugh, disarmed. “This is life,” we think. “They’re so real.” But they’re also all a little restless.

Essay

The American Voice: Eight Things

In the first moment of Adam Bock’s early play 'Swimming in the Shallows' (1999), Barb confronts an idea that ultimately uproots her life: “Did you know there’s Buddhist monks who only own eight things,” she asks. “I bet I have eight hundred probably eight thousand things just in my kitchen. …I read this and I got a very upset very unnerved feeling.”

Essay

Backstory: Selected Works of Adam Bock

Adam Bock’s plays combine formal playfulness and effervescent wit with disarmingly penetrating insight into the human condition. Sly, incisive, and endlessly inventive, he has established himself as an indispensable voice in the contemporary dramatic canon. As we welcome him back for his third production at Playwrights Horizons, we invite you to take a stroll through his anthology-to-date with this selected production history.