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Pam MacKinnon

Recent credits include Beau Willimon’s The Parisian Woman (Broadway), Amélie (Broadway, Ahmanson Theatre, Berkeley Rep), David Mamet’s China Doll (Broadway), Wendy Wasserstein’s The Heidi Chronicles (Broadway), Bruce Norris’ The Qualms (Playwrights Horizons, Steppenwolf), Edward Albee’s A Delicate Balance (Broadway), Edward Albee’s Who’s Afraid of Virginia Woolf? (Broadway, Arena Stage, Steppenwolf; Tony and Drama Desk Awards, Outer Critic Circle nomination), Bruce Norris’ Clybourne Park (Broadway, Mark Taper, Playwrights Horizons; Obie Award, Tony and Lortel nominations) and Sarah Teem’s When We Were Young and Unafraid (Manhattan Theatre Club). Pam is an alumna of the Drama League, the Women’s Project and Lincoln Center Theater Directors Labs; an associate artist of the Roundabout Theater Company; board president of the Society Stage Directors and Choreographers; board chair of the New York City downtown company Clubbed Thumb, dedicated to new American plays; and Artistic Director designate of ACT in San Francisco.

Reviews

Interview

Tim Sanford and Bruce Norris

Bruce Norris: I’m not sure ANGELS IN AMERICA is that important. I certainly don’t think the plays I write are very important. ANGELS came and went in a cultural moment and it excited a lot of people, and it probably led to other things like Will and Grace, but I don’t know if it’s “important.”