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Sarah Ruhl

Playwrights Horizons: Stage Kiss, Dead Man’s Cell Phone. Other plays: How to Transcend a Happy Marriage; The Oldest Boy; In the Next Room, or the vibrator play; The Clean House; Orlando; Late: a cowboy song; Dear Elizabeth. She is a two-time Pulitzer Prize finalist and a Tony Award nominee. Her plays have been produced on and Off- Broadway, regionally and internationally, translated into over 12 languages. MFA: Brown University, where she studied with Paula Vogel. Awards: Steinberg Distinguished Playwright, Susan Smith Blackburn, Whiting, Lilly, PEN, MacArthur “genius” Award. In print: 100 Essays I Don't Have Time to Write (Faber and Faber). She teaches at the Yale School of Drama and lives in Brooklyn with her family.

(as of 8/09/17)

Reviews
  • “A beguiling new comedy. Sarah Ruhl blends the mundane and the metaphysical, the blunt and the obscure, the patently bizarre and the bizarrely moving. Her surrealist fantasies are made meaningful – made truthful – by the deeper logic of human feeling.”

    — Charles Isherwood, The New York Times | Read Full Article
  • “What a pleasure to have Mary-Louise Parker, one of our most extraordinary actresses, back on the New York stage after a too-long absence.”

    — John Simon, Bloomberg
More Reviews
  • “A rockstar ensemble in Anne Bogart’s visually impressive production.”

    — David Cote, Time Out New York