Richard Greenberg

Plays include The Assembled Parties, Take Me Out, The House in Town, The Violet Hour, The Dazzle, Three Days of Rain, Hurrah at Last, Night and Her Stars, The American Plan, Life Under Water, The Author's Voice (As of May 2013).

Photo by Zack DeZon

Scott Frankel

SCOTT FRANKEL was nominated for Tony, Drama Desk and Outer Critics Circle awards for his work on Grey Gardens, which ran at Playwrights Horizons before transferring to Broadway in 2006.  He has also written the music for Finding Neverland (UK premiere, 2012), Happiness (Lincoln Center Theatre commission), Doll (Ravinia Festival, Richard Rodgers Award) and Meet Mister Future, all with lyricist Michael Korie. Frankel is the recipient of the ASCAP Foundation Richard Rodgers New Horizons Award and the Frederick Loewe Award.  He was the 2011-2012 Frances and William Schuman Fellow at The MacDowell Colony and a graduate of Yale University. (As of May 2013)

Photo by Zack DeZon

Michael Korie

Grey Gardens (Playwrights Horizons, Broadway, OCC Award); Finding Neverland (Curve Theatre, England); The Grapes of Wrath (Minnesota Opera, Carnegie Hall, L.A. Walt Disney Concert Hall), Harvey Milk (San Francisco Opera, Houston Grand Opera, NYCO); Doctor Zhivago (Lyric Theatre, Sydney, upcoming NY); Happiness (LCT); Doll (Ravinia Festival, Chicago); Hopper's Wife (Long Beach California Opera); Kabbalah (BAM Next Wave Festival); Where's Dick? (Houston). This is his fifth collaboration with Scott Frankel. Korie serves on the council of The Dramatist Guild Fellows Program and teaches lyric writing at Yale. Awards include the Edward Kleban Award, Jonathan Larson Foundation Award, ASCAP Richard Rodgers New Horizons Award (As of May 2013).

Photo by Zack DeZon

Todd Haynes

Alex Sanchez

• “Kelli O'Hara is one of the best performers in musicals today. The sense of hope that pulses in her voice breaks your heart.”

  — Ben Brantley, New York Times

• “A smart, sophisticated, perfect vehicle for Kelli O'Hara's soaring voice and endearing stage presence, with an elegant diversity of music by Scott Frankel. Michael Korie's thoughtful lyrics sensitively express turbulent inner emotions. Richard Greenberg’s book accurately depicts the artificial tenor of the times. Michael Greif and his design team have created a fluid, visually compelling production, enhanced by Catherine Zuber's gorgeous costumes.”

  — Jennifer Farrar, AP | Read Full Article

• “Both Steven Pasquale and Isaiah Johnson have Broadway-big talents that are thrilling to watch. ”

  — Adam Markovitz, Entertainment Weekly

• “Heaven-sent. A gorgeously lush and evocative score. Scott Frankel and Michael Korie easily top their Tony-nominated work from Grey Gardens. Their songs are given the deluxe treatment from Playwrights Horizons. ”

  — Elisabeth Vincentelli, NY Post

• “A haunting, uncommonly serious contemporary musical. The ravishingly beautifu score evokes Leonard Bernstein. Michael Greif's direction of the actors is faultless. ”

  — David Rooney, Hollywood Reporter

• “A rare commodity: a rich, operatic, tightly integrated post-Sondheim score. There hasn’t been a score like this since The Light in the Piazza. ”

  — Matt Windman, AM/NY