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Pam MacKinnon

Recent credits include Beau Willimon’s The Parisian Woman (Broadway), Amélie (Broadway, Ahmanson Theatre, Berkeley Rep), David Mamet’s China Doll (Broadway), Wendy Wasserstein’s The Heidi Chronicles (Broadway), Bruce Norris’ The Qualms (Playwrights Horizons, Steppenwolf), Edward Albee’s A Delicate Balance (Broadway), Edward Albee’s Who’s Afraid of Virginia Woolf? (Broadway, Arena Stage, Steppenwolf; Tony and Drama Desk Awards, Outer Critic Circle nomination), Bruce Norris’ Clybourne Park (Broadway, Mark Taper, Playwrights Horizons; Obie Award, Tony and Lortel nominations) and Sarah Teem’s When We Were Young and Unafraid (Manhattan Theatre Club). Pam is an alumna of the Drama League, the Women’s Project and Lincoln Center Theater Directors Labs; an associate artist of the Roundabout Theater Company; board president of the Society Stage Directors and Choreographers; board chair of the New York City downtown company Clubbed Thumb, dedicated to new American plays; and Artistic Director designate of ACT in San Francisco.



Footnote: LGBTQ Roundtable on Community

How do you define your community? In a discussion about LGBTQ community and identity — and the power of art — we spoke with a group of experts to explore the themes and ideas raised in Log Cabin.


From the Artistic Director: Log Cabin

Log Cabin owes a bit of debt to the plays that precede it, while also standing as a sterling, singular achievement from this superb, inexhaustibly adventurous, curious playwrights.


Backstory: Log Cabin

The last decade has seen an astonishing enfranchisement and mainstream acceptance of homosexuals, but the transgender community continues to face acute marginalization and antipathy.
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