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Anne Kauffman

Described by The New York Times as “one of the leading lights of downtown theater,” Anne has directed at most major New York non-profit and regional theaters. Her recent credits include, Marjorie Prime by Jordan Harrison with Playwrights Horizons, Buzzer by Tracey Scott Wilson with The Public Theater, The Nether by Jennifer Haley with MCC, You Got Older by Clare Barron with P73 Productions (Obie Award), Smokefall by Noah Haidle at The Goodman Theater and South Coast Rep, 100 Days a new musical by The Bengsons at Z Space in San Francisco, Your Mother's Copy of the Kama Sutra by Kirk Lynn with Playwrights Horizons, The Muscles in Our Toes by Stephen Belber with the Labyrinth Theater Company. Other credits include: Lisa D’Amour’s Pulitzer Prize finalist play Detroit starring David Schwimmer and Amy Ryan at Playwrights Horizons (NY Times, New York Magazine, and TimeOut NY Top 10 Productions of 2012), Maple and Vine also at Playwrights Horizons, Somewhere Fun by Jenny Schwartz at the Vineyard Theater, Amy Herzog’s Belleville for Yale Rep, NY Theatre Workshop and Steppenwolf (Lortel Nomination for Best Director), Chloe Moss’ This Wide Night starring Edie Falco and Alison Pill for Naked Angels (Lortel Nomination for Best Director), the musical We Have Always Lived in the Castle by Adam Bock and Todd Almond with Yale Rep, Stunning by David Adjmi and Greg Pierce’s Slowgirl for LCT3, You Better Sit Down: Tales From My Parents' Divorce with The Civilians at Williamstown, ArtsEmerson and The Flea, God's Ear by Jenny Schwartz with New Georges and the Vineyard.

She is a Sundance Program Associate, a Usual Suspect at New York Theatre Workshop, an alumna of the Soho Rep. Writers and Directors Lab, a current member of Soho Rep.’s Artistic Council, Lincoln Center Directors Lab, The Drama League of New York, a founding member of The Civilians, an Associate Artist with Clubbed Thumb and member of New Georges' Kitchen Cabinet. From 2000-2006, Anne was on the directing faculty at NYU. She received her MFA in directing from UCSD, and a BA in Slavic Languages and Literature and Theater from Stanford University.

Anne’s awards include two Obie Awards, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, the Barrymore Award for Best Director, and a Lilly Award. (As of February 2016)

Reviews

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Playwrights' Perspectives

Jordan Harrison on "Maple and Vine"

For nearly a month now, I’ve been throwing away old papers in anticipation of moving to a new apartment. This is harder than it sounds, mostly because I never throw anything away. My partner insists that these papers -- bursting from drawers, holding up short table legs -- are threatening to take over our lives. “Do you really need this envelope of receipts from 2006?” he asks. I hug it to my chest protectively. “What about this Christmas card from the dentist’s office?” Sentimental value, I tell him. Steam comes out of his ears.

Interview

Tim Sanford and Jordan Harrison

Tim: Let’s pick up where we left off with Doris to Darlene. Jordan: Oh, my. Actually, I think we have to start a little before that. Anne [Kauffman] began the project that led to this play with The Civilians some time before we produced Doris to Darlene, right?