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Jo Bonney

JO BONNEY's work includes Lynn Nottage's By the Way, Meet Vera Stark (Second Stage), Culture Clash's American Night (Oregon Shakespeare Festival); Darci Picoult's Lil's 90th (Long Wharf Theatre); Suzan-Lori Parks' Father Comes Home from the War  (Public Theatre Lab); Naomi Wallace's The Hard Weather Boating Party (The Humana Festival) and Fever Chart (Public Theatre Lab); Michael Weller's Beast (New York Theatre Workshop); Alan Ball's All that I Will Ever Be (NYTW); Eric Bogosian's subUrbia; Charles Fuller's A Soldier's Play and Lisa Loomer's Living Out (Second Stage, NY); Will Power's The Seven (NYTW & La Jolla Playhouse) (L. Lortel Best Musical); Neil LaBute's Fat Pig (MCC & Geffen Playhouse); Some Girl(s) (MCC); Carol Churchill's Top Girls(Williamstown Theatre Festival); Christopher Shinn's On the Mountain (Playwrights Horizons); Nilo Cruz's Anna in the Tropics (Arena Stage); Universes' Slanguage (NYTW/ Mark Taper Forum); Lanford Wilson's Fifth of July (Signature Theatre) (L. Lortel Best Revival); Jose Rivera's Adoration of the Old Woman (La Jolla Playhouse) and References to Salvador Dali Make Me Hot (The Public Theater); Diana Son's Stop Kiss and Anna Deavere Smith's House Arrest (The Public Theater); Jessica Goldberg's Good Thing  (The New Group); John Osborne's Look Back in Anger  (CSC,NY); Danny Hoch's Some People and Jails, Hospitals & Hip-Hop (USA/Britain); Dael Orlandersmith'sStoop Stories (Studio Theatre, Washington & The Goodman Theatre); numerous solos Sex, Drugs, Rock & RollPounding Nails in the Floor with My Forehead  by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). (As of May 2011)