Photo by Zack DeZon

Selling Kabul

March 27, 2020 – May 10, 2020
Peter Jay Sharp Theater

Performance Calendar

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SAT

					MAR 27* 7:30 PM	MAR 28* 7:30 PM
MAR 29* 2:00 PM 7:00 PM	MAR 30	MAR 31* 7:30 PM ♦	APR 1* 7:30 PM ▲	APR 2* 7:30 PM	APR 3* 7:30 PM	APR 4* 2:00 PM ♦ 7:30 PM
APR 5* 2:00 PM 7:00 PM ▲	APR 6	APR 7* 7:30 PM	APR 8* 7:30 PM	APR 9* 7:30 PM ♦	APR 10* 7:30 PM▲	APR 11* 2:00 PM 7:30 PM
APR 12* 2:00 PM 7:00 PM	APR 13	APR 14* 7:30 PM	APR 15* 7:30 PM	APR 16* 7:30 PM	APR 17* 7:30 PM	APR 18* 2:00 PM 7:30 PM
APR 19* 2:00 PM 7:00 PM	APR 20 Opening Night	APR 21	APR 22 7:30 PM	APR 23 7:30 PM	APR 24 7:30 PM	APR 25 2:00 PM 7:30 PM
APR 26 2:00 PM 7:00 PM	APR 27	APR 28 7:30 PM	APR 29 7:30 PM	APR 30 7:30 PM	MAY 1 7:30 PM	MAY 2 2:00 PM ◼ 7:30 PM
MAY 3 2:00 PM 7:00 PM	MAY 4	MAY 5 7:30 PM	MAY 6 7:30 PM	MAY 7 7:30 PM	MAY 8 7:30 PM	MAY 9 2:00 PM 7:30 PM
MAY 10 2:00 PM 7:00 PM
* Preview
▲ Post-Performance Discussion Hear from members of the creative team and artistic staff after the show.
♦ POP Talk Join us in the lobby for an informal post-show conversation, led by fellow audience members.
◼ Audio Description

Closed captioning is available at performances after opening night, beginning Apr 22. Listening devices for live audio-described performances can be reserved in advance. Learn More →

Age recommendation: 10 and up due to some strong language.

On Sale Dates

	Feb 4	Feb 11	Feb 18	Feb 25	Mar 3
Artistic Director's Circle	✔
Patron Program	✔
Generation PH	✔
Subscription + Friend	✔
Subscription		✔
Membership + Friend			✔
Flex Pass				✔
Membership				✔
Young Membership + Friend				✔
Young Membership					✔
Student Membership					✔
PHTS Flex Pass					✔
Public On Sale					✔

Performance dates and times are subject to change.

Reviews

“
Sylvia Khoury pulls nifty narrative and stylistic jumps out of her hat, and it works.
—The New York Times

First Rehearsal: Selling Kabul

Get to know the Cast and Crew of Selling Kabul!

From the Artistic Director: Selling Kabul

Sylvia spins out her narrative with an almost surgical precision, building tension by increments as the events outside this apartment escalate.

Playwright’s Perspective: Selling Kabul

When we no longer needed men like Taroon, their bodies, too, became their own again, and their lives and those of their families, not our concern.

Backstory: Afghan Interpreters’ Search for Safety

If an interpreter was shot at, or if their home was looted, they cannot produce written evidence; and even applicants who do include written death threats in their applications are frequently denied for unknown reasons.

American Voice: Doctors and Playwrights

This is the reason why, across Sylvia’s plays, there are no villains. There are only people trying to live – often unsure how – in circumstances foreign to us for their distance from American soil but otherwise awfully familiar.

2019/20 Season Teaser

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