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Perry Sherman, Kerstin Anderson; photo by Joan Marcus

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Margo Seibert, Zoe Glick, Estelle Parsons; photo by Joan Marcus

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Jay McKenzie, Jessica Naimy, Thom Sesma, James Crichton, Emilie Kouatchou; photo by Joan Marcus

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Erik Lochtefeld, Margo Seibert; photo by Joan Marcus

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Photo by Paul Fox

Trip Cullman

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Playwrights: The Pain of My Belligerence, Assistance, The Drunken City, Manic Flight Reaction, A Small Fire (Drama Desk nomination). Broadway: The Rose Tattoo, Choir Boy, Lobby Hero, Six Degrees of Separation, Significant Other. Select off-Broadway: The Mother, I’m Gonna Pray For You So Hard (Atlantic); Days of Rage, The Layover, Lonely I’m Not, The Substance of Fire, Some Men, Bachelorette, Swimming in the Shallows (Second Stage); Punk Rock (Obie Award), Yen, A Funny Thing Happened On The Way To The Gynecologic Oncology Unit..., Moscow... (MCC); Significant Other (Roundabout); Choir Boy, Murder Ballad (MTC); The Hallway Trilogy: Nursing, The Last Sunday in June (Rattlestick); Dog Sees God (Century Center); Roulette (EST); US Drag (stageFARM); and several productions with The Play Company. London: The Colby Sisters of Pittsburgh, PA (Tricycle). Select regional: Geffen, Alliance, Old Globe, South Coast Rep, La Jolla Playhouse, Bay Street, Williamstown Theatre Festival.

(Updated Mar 2019)

Patrick McCollum

Playwrights debut. Broadway: The Band’s Visit (also National Tour, Atlantic); Angels in AmericaOh, Hello! (also Cherry Lane); The Lightning Thief (also National Tour, Lucille Lortel). Off-Broadway: Man from Nebraska (Second Stage), Blueprint Specials (The Public). Regional: The Tempest (LA Philharmonic), Rain (Old Globe), Unknown Soldier (Williamstown), You Are Here (Goodspeed), Fall Springs (Barrington). As associate choreographer for Broadway: The Last Ship, Peter and the Starcatcher, RockyWicked as North American Dance Supervisor.

 

Reviews
  • “"A thoughtful, history-spanning portrait of elusive identities that celebrates the urge to fully know people -- in the present and the past."”

    — Ben Brantley, The New York Times | Read Full Article
  • ““A heartfelt and original chamber musical.””

    — Thom Geier, The Wrap | Read Full Article