Christmas on Mars
- Written by Harry Kondoleon
- Directed by Andre Ernotte
Harry Kondoleon was a playwright, poet, and novelist. After graduating from the Yale School of Drama, he moved to New York to pursue theatre.
Kondoleon’s best-known plays include Christmas On Mars, The Vampires, Zero Positive, Slacks and Tops, The Fairy Garden, The Cote D’Azur Triangle, The Brides, Rococo, The Poets’ Corner, Anteroom, Play Yourself, Love Diatribe, The Houseguests, and Saved or Destroyed. His plays have been performed at theaters across the country and around the world, and they have earned him two Obie Awards, the Oppenheimer/Newsday Award, and a Drama-Logue Award. In addition, he has received Fulbright, Rockefeller, NEA, and Guggenheim fellowships.
Several of his plays were published by Theater Communications Group in an anthology entitled Self Torture and Strenuous Exercise. He is also the author of a volume of poetry, The Death of Understanding, and two novels, The Whore of Tjampuan and Diary of a Lost Boy. The latter was published by Alfred A. Knopf in 1994, two months before Harry Kondoleon died of complications from AIDS.
Mr. Ernotte, a native of Liege, Belgium, tackled offbeat and surreal subjects Off Broadway as well as more traditional fare. He began to make his mark in New York in the 1970's, and since then lived in both the United States and Europe.
He directed performances at the Brooklyn Academy of Music, Manhattan Theater Club, Playwrights Horizons, South Street Theater, Ubu Repertory Theater, Improv Theater, the Joseph Papp Public Theater, New York Shakespeare Festival, Stratford Shakespeare Theater, Kennedy Center and the Royal Opera House in London. (As of 1983)
Performances began June 2, 1983.
Featuring
Marie Cheatham
Harriet Harris
Michael O'Keefe
Joe Pichette
Creative Team
Andrew Jackness
Scenic DesignerRita Ryack
Costume DesignerJ. Thomas Vivian
Production Stage ManagerPhoto by Susan Cook
Early on, Mr. Kondoleon makes good on his promise to transport us to the outer - or inner -space of his special sensibility. As in ''Slacks and Tops,'' his one-act play at the Manhattan Theater Club this spring, this writer shows unusual promise.