That's It, Folks!
- Written by Mark O'Donnell
- Directed by Douglas Hughes
MARK O'DONNELL's Book received the 2003 Tony Award for Hairspray. Plays include That's It, Folks!; Fables for Friends; The Nice and the Nasty (all at Playwrights Horizons); Strangers on Earth; Vertigo Park; and the book and lyrics for the musical Tots in Tinseltown. He collaborated with Bill Irwin on an adaptation of Moliere's Scapin and co-authored a translation of Feydeau's A Flea in Her Ear, both for the Roundabout. For MTC he translated Jean Claude Carriere's La Terrasse. His books include Elementary Education and Vertigo Park and Other Tall Tales, as well as two novels, Getting Over Homer and Let Nothing You Dismay (both in Vintage paperback). His humor has appeared in The New Yorker, The New York Times, The Atlantic and Spy, among others. He has received a Guggenheim Fellowship, the Lecomte du Nuoy Prize and the George S. Kaufman Award.
Bio as of June, 2007.
Douglas Hughes is a prolific theatre director. His recent Broadway work includes The Heart is a Lonely Hunter, Mauritius, A touch of the Poet, Inherit the Wind (Tony nomination Best Revival, Drama Desk nomination, Best Director), Frozen (Tony nomination, Best Director), and John Patrick Shanley’s Doubt for which he won Tony, Drama Desk, Outer Critics Circle, Lortel and Callway awards as Best Director.
Recent Off-Broadway credits includeFarragut North, The House in Town, Defiance, Scattergood, Last Easter, The Paris Letter, and McReele In 2005, Hughes won an Obie Award for Sustained Excellence in Direction.
He has directed over 50 productions at most of the country’s leading resident theaters.
From 1997-2001, Mr. Hughes served as Artistic Director of the Long Wharf Theatre in New Haven, Connecticut, originating and then co-producing the Pulitzer Prize-winning Wit. Mr. Hughes was the Distinguished Artist in Residence at the New School for Drama (2007-2008) and served as adjunct professor in the directing program of The Yale School of Drama (2002-2004). He is a graduate of Harvard College.
Featuring:
Jerome Collamore
Cynthia Darlow
Arthur Howard
Steve Massa
James McDonnell
Peter G. Morse
David Hyde Pierce
Alice Playten
Scenic Design: Loren Sherman
Costume Design: Ann Emonts
Lighting Design: Rachel Budin
Sound Design: Gary Harris
Production Stage Manager: Barbara Abel
Featuring
Cynthia Darlow
David Hyde Pierce
Emmy and Tony Award winner David Hyde Pierce made his professional and Broadway debut in 1982 as the waiter in Christopher Durang’s Beyond Therapy and will return to the Great White Way in the spring of 2017 as Horace Vandergelder in the revival of Hello, Dolly! opposite Bette Midler. Pierce won a Tony Award for his starring role in the musical Curtains and was also nominated for his performance in Durang’s Vanya and Sonia and Masha and Spike. Other recent New York stage credits include Broadway’s Accent on Youth (Manhattan Theater Club), La Bête (also London) and the John Kander musical The Landing (The Vineyard). He made his Playwrights Horizons debut in 1987 in Richard Greenberg’s The Maderati and also appeared in their 1989 Broadway production of Wendy Wasserstein’s The Heidi Chronicles. Other New York stage credits include Monty Python's Spamalot (Drama Desk nomination); Hamlet and Much Ado (New York Shakespeare Festival); and the Off-Broadway productions That's It, Folks!; The Author's Voice; Zero Positive; Elliot Loves; and White Rabbit Red Rabbit. Regionally, Pierce has appeared in Holiday and Camille (Long Wharf Theatre); Candida (Goodman Theatre); and The Seagull, Tartuffe, Cyrano and Midsummer Night's Dream (Guthrie Theatre); as well as Peter Brook’s The Cherry Orchard in New York, Moscow, Leningrad and Tokyo. In Los Angeles, he appeared in Terrence McNally’s It’s Only a Play (Doolittle Theatre) and Six Dance Lessons in Six Weeks (Geffen Playhouse, opposite Uta Hagen). Pierce’s film credits include Bright Lights, Big City; Crossing Delancey; Little Man Tate; Sleepless in Seattle; Wolf; Nixon; Isn't She Great; Wet Hot American Summer; Full Frontal; Down with Love; A Bug's Life; Osmosis Jones; Treasure Planet; and the Sundance Film Festival Selection The Perfect Host. His television credits include a short but happy stint on Norman Lear’s political satire “The Powers That Be,” and a long but happy stint on “Frasier,” for which he earned four Emmy Awards and the American Comedy, Television Critics, Viewers for Quality Television and Screen Actors Guild Awards. Last year, he returned to series television with a guest arc on “The Good Wife” and also reprised his role on the Netflix reboot of “Wet Hot American Summer: First Day of Camp.” Now making his mark as a director, Pierce’s credits include David Lindsay-Abaire’s Ripcord at MTC, Broadway’s It Shoulda Been You (also George Street Playhouse), the Los Angeles premiere of Vanya and Sonia… and The Importance of Being Earnest (Williamstown Theatre Festival). Pierce has worked with The Alzheimer’s Association for nearly twenty years as a board member and national spokesperson. In 2010, he was awarded the Tony Awards’ Isabelle Stevenson Award for his work with the Association. (as of June 2016)
Photos of (1) David Hyde Pierce and Alice Playten; and (2) Jerome Collamore, David Hyde Pierce, Arthur Howard, Alice Playten, Steve Massa, Cynthia Darlow, and James McDonnell by Peter Cunningham