The Substance of Fire
- Written by Jon Robin Baitz
- Directed by Daniel Sullivan
JOHN ROBIN BAITZ is currently a professor at Stony Brook Southampton, and The New School where he is Artistic Director of the BFA theatre program. In 1991, Baitz wrote and directed the two-character play Three Hotels, based on his parents, for a presentation of PBS's "American Playhouse", then reworked the material for the stage, earning another Drama Desk Award nomination for Outstanding New Play for his efforts. In 1993, he co-scripted (with Howard A. Rodman) The Frightening Frammis, which was directed by Tom Cruise and aired as an episode of the Showtime anthology series Fallen Angels. Two years later, Henry Jaglom cast him as a gay playwright who achieves success at an early age - a character inspired by Baitz himself - in the film Last Summer in the Hamptons; the following year he appeared as Michelle Pfeiffer's business associate in the screen comedy One Fine Day. In 1996, he was one of the three finalists for the Pulitzer Prize for his semi-autobiographical play A Fair Country. Subsequent stage works include Mizlansky/Zilinsky or "Schmucks", a revised version of Mizlansky/Zilinsky, starring Nathan Lane, and directed by Baitz's then-partner Joe Mantello (1998), a new adaptation of Henrik Ibsen's Hedda Gabler (first at L.A.'s Geffen Playhouse with Annette Bening in 1999, then at Long Island's Bay Street Theater with Kate Burton in 2000, followed by a Broadway production with the same star the following year), Ten Unknowns (2001), starring Donald Sutherland and Julianna Margulies, and The Paris Letter (2005) with Ron Rifkin and John Glover. His screenplays include the adaptation of his own Substance of Fire (1996), with Tony Goldwyn and Timothy Hutton joining original cast members Rifkin and Parker, and People I Know (2003), which starred Al Pacino. His play Other Desert Cities opened Off-Broadway at the Mitzi E. Newhouse Theater (Lincoln Center) in New York on January 13, 2011, starring Stockard Channing, Linda Lavin, Stacy Keach, Thomas Sadoski and Elizabeth Marvel. The play was originally titled Love and Mercy. The production transferred to Broadway, opening at the Booth Theatre on November 3, 2011, with Judith Light replacing Lavin and Rachel Griffiths replacing Marvel.
On Broadway this season: Time Stands Still by Donald Margulies (Cort Theatre), The Merchant of Venice with Al Pacino (Broadhurst Theatre), and David Lindsay-Abaire's Good People (MTC's Friedman). Also for MTC, Mr. Sullivan directed Time Stands Still, Accent on Youth, Rabbit Hole, Brooklyn Boy, Sight Unseen, After the Night and the Music, Proof, In Real Life and Psychopathia Sexualis. Among his Broadway credits are The Homecoming; Prelude to a Kiss; Julius Caesar; Morning's at Seven; I'm Not Rappaport; A Moon for the Misbegotten; The Heidi Chronicles; Conversations With My Father; Ah, Wilderness!; and The Sisters Rosensweig. Among his Off-Broadway credits are The Merchant of Venice, The Night Watcher, Twelfth Night, A Midsumemr Night's Dream, Intimate Apparel, Stuff Happens, Far East, Spinning Into Butter, Dinner With Friends, and The Substance of Fire. From 1981 to 1997, Mr. Sullivan served as Artistic Director of Seattle Repertory Theatre, where he directed more than 60 productions and established a New Play Program. Mr. Sullivan's film and television credits include The Substance of Fire and Far East. Mr Sullivan is the Swanlund Professor of Theatre at the University of Illinois, Urbana-Champaign.
Bio as of August, 2010.
At its core is Isaac Geldhart, a childhood survivor of the Holocaust, who arrived in New York City an orphan, reinvented himself as a bon vivant, married well, and found fame and fortune as a champion of authors who are passionate about their work rather than its best-seller potential. Faced with a family-business conflict, the potential Japanese takeover of his increasingly insolvent firm, he must browbeat his three adult children, all principal stockholders whom he dismisses in varying degrees, into accepting his plan to publish a six-volume scholarly work on Nazi medical experiments, despite their belief that a highly successful commercial novel is the only thing that will keep them from going under.
Featuring
Patrick Breen
Sarah Jessica Parker
Ron Rifkin
Jon Tenney
Maria Tucci
Creative Team
John Lee Beatty
Scenic DesignerJess Goldstein
Costume DesignerArden Fingerhut
Lighting DesignerScott Lehrer
Sound DesignerRoy Harris
Production Stage ManagerPhoto of (1) Patrick Breen, Jon Tenney, Ron Rifkin, and Sarah Jessica Parker; (2) Jon Tenney and Sarah Jessica Parker by Peter Cunningham.