The End of the Day
- Written by Jon Robin Baitz
- Directed by Mark Lamos
JOHN ROBIN BAITZ is currently a professor at Stony Brook Southampton, and The New School where he is Artistic Director of the BFA theatre program. In 1991, Baitz wrote and directed the two-character play Three Hotels, based on his parents, for a presentation of PBS's "American Playhouse", then reworked the material for the stage, earning another Drama Desk Award nomination for Outstanding New Play for his efforts. In 1993, he co-scripted (with Howard A. Rodman) The Frightening Frammis, which was directed by Tom Cruise and aired as an episode of the Showtime anthology series Fallen Angels. Two years later, Henry Jaglom cast him as a gay playwright who achieves success at an early age - a character inspired by Baitz himself - in the film Last Summer in the Hamptons; the following year he appeared as Michelle Pfeiffer's business associate in the screen comedy One Fine Day. In 1996, he was one of the three finalists for the Pulitzer Prize for his semi-autobiographical play A Fair Country. Subsequent stage works include Mizlansky/Zilinsky or "Schmucks", a revised version of Mizlansky/Zilinsky, starring Nathan Lane, and directed by Baitz's then-partner Joe Mantello (1998), a new adaptation of Henrik Ibsen's Hedda Gabler (first at L.A.'s Geffen Playhouse with Annette Bening in 1999, then at Long Island's Bay Street Theater with Kate Burton in 2000, followed by a Broadway production with the same star the following year), Ten Unknowns (2001), starring Donald Sutherland and Julianna Margulies, and The Paris Letter (2005) with Ron Rifkin and John Glover. His screenplays include the adaptation of his own Substance of Fire (1996), with Tony Goldwyn and Timothy Hutton joining original cast members Rifkin and Parker, and People I Know (2003), which starred Al Pacino. His play Other Desert Cities opened Off-Broadway at the Mitzi E. Newhouse Theater (Lincoln Center) in New York on January 13, 2011, starring Stockard Channing, Linda Lavin, Stacy Keach, Thomas Sadoski and Elizabeth Marvel. The play was originally titled Love and Mercy. The production transferred to Broadway, opening at the Booth Theatre on November 3, 2011, with Judith Light replacing Lavin and Rachel Griffiths replacing Marvel.
Mark Lamos is a Tony Award-winning American theatre director, producer, and actor. Born in Chicago, Illinois, Lamos studied violin and ballet at an early age and attended Northwestern University on a music scholarship. He began his theatrical career as an actor at the Guthrie Theatre in Minneapolis. His early Broadway appearances all were in short-lived productions: The Love Suicide at Schofield Barracks and The Creation of the World and Other Business in 1972, Cyrano in 1973, and a revival of Man and Superman in 1978. He also appeared in the film Longtime Companion. Lamos joined the Hartford Stage as Artistic Director in 1980. During his reign the company staged Einstein and the Polar Bear, Is There Life After High School?, Stand-Up Tragedy, and Our Country's Good, all of which transferred to Broadway. Additional New York directing credits include The Deep Blue Sea, The Gershwins' Fascinating Rhythm, The Rivals, and Seascape. Lamos has directed Much Ado About Nothing for the Shakespeare Theatre in Washington, D.C., Giuseppe Verdi's I Lombardi at the Metropolitan Opera House, and John Harbison's operatic adaptations of Winter’s Tale and The Great Gatsby.
Featuring
John Benjamin Hickey
Philip Kerr
Nancy Marchand
Roger Rees
Jean Smart
Paul Sparer
JOHN BENJAMIN HICKEY won the 2011 Tony Award for Best Performance by a Featured Actor in a Play for his performance as Felix Turner in The Normal Heart. On Broadway, he originated the role of Arthur in Terrence McNally's Tony Award-winning play Love! Valour! Compassion! in 1995, a role he would recreate for the 1997 film version. He played Clifford Bradshaw in the 1998 revival of Cabaret, which won the Tony for Best Revival of a Musical, and played Reverend John Hale in the Tony-nominated 2002 revival of Arthur Miller's The Crucible. He recently played Sean, the homeless brother of Cathy (played by actress Laura Linney), the main character on the Showtime series The Big C.
Playwrights Horizons: The End of the Day. Broadway: A Time to Kill, Macbeth, Otherwise Engaged, The Jockey Club Stakes, A Flea in Her Ear, Tiny Alice, Three Sisters. Off-Broadway: As You Like It, The Rehearsal, opposite Dame Judith Anderson’s Hamlet at Carnegie Hall. Extensive Regional credits, including seasons at nearly two dozen theater companies. Winner, Joseph Jefferson Award, Best Actor. He is also a stage director.
Like a number of British actors of the same generation, ROGER REES was originally trained for the visual arts. He acted in church and Boy Scout stage productions while growing up in London, but studied painting and lithography at the Slade School of Art, and his first paying jobs in show business were as a scenery painter.
He turned to acting on a full-time basis in the mid-1960s. After his fourth audition, the Royal Shakespeare Company finally hired him as a bit player in 1968. He then worked his way up through the RSC's ranks, finally achieving stardom in the early 1980s in its production of "The Life and Adventures of Nicholas Nickelby", for which he won both an Olivier Award and a Tony Award. He was also nominated for an Emmy Award for the television version of the play. By this time, he had several television movies to his name, but he did not make his large-screen debut until Star 80 (1983). More recently, he has acted in several British and American television series and in a number of independent films.
Roger Rees received Olivier and Tony Awards for his performance inThe Life and Adventures of Nicholas Nickleby and a Tony nomination forIndiscretions. His stage credits also include Broadway productions ofUncle Vanya, The Rehearsal, The Red Shoes, London Assurance andThe Addams Family. Off-Broadway he starred in A Man of No Importance and received an Obie Award for The End of the Day. He is well known for his work on TV'sCheers and The West Wing.