Demonology (New Theater Wing)
- Written by Kelly Stuart
- Directed by Jim Simpson
KELLY STUART is the author of Mayhem, produced at The Evidence Room in Los Angeles; Demonology, produced at the Padua Hills Playwrights Festival and at Playwrights Horizons; and The Life of Spiders, which earned her a Whiting Fellowship in 2000, and will be produced by Holderness Theatre Company in New York City in the spring of 2004. Her other plays include Furious Blood, produced at Sledgehammer, and The Square Root of Terrible, produced at The Mark Taper Forum. Ms. Stuart currently lives in New York, and teaches Playwriting at Columbia University. (As of 2013)
JIM SIMPSON is the Founder and Artistic Director of The Flea Theater (2004 Drama Desk cited for Downtown Adventurous Theater). Two-time OBIE-award winner, 2002 National Board of Review Excellence in Filmmaking, and cited for artistic leadership in Downtown New York by the Lower Manhattan Cultural Council in 2002. Jim has directed over 70 works for the theater and has also directed for film and television. Venues include nine seasons at the Williamstown Theater Festival, Alley Theater, Hartford Stage, Yale Rep, Actor's Theater of Louisville, Eisenhower Theater at the Kennedy Center, Lincoln Center, Playwrights Horizons, EST, CSC, MCC, the London International Theater Festival and the Melbourne Fringe Festival. Jim was a child actor in his hometown of Honolulu, as a teenager worked with Jerzy Grotowski in Poland, and holds degrees from Boston University School for the Arts, and the Yale Drama School. Most recently, Jim directed A. R. Gurney's Crazy Mary at Playwrights Horizons, Will Eno's Oh, The Humanity..., the revival of Peter Handke's Offending The Audience, Addison's CATO, Thomas Bradshaw's Dawn, Gurney's A Light Lunch, Will Eno's UNUM as part of The Flea's The Great Recession, Jonathan Reynolds' Girls in Trouble, and Bathsheba Doran's Parents' Evening. (Oct 2010)
In this skewed, futuristic world of misogynist businessmen and seemingly docile secretaries, a baby-formula company is under attack. The men suspect insider sabatoge. Is it the La Leche League or the seductive new temp, who pumps breast milk for her baby during her lunch hour? A wickedly funny, disturbing and wholly contemporary take on the battle of the sexes.
Featuring
Kathleen Glaudini
Rocco Sisto
Bray Poor
Marisa Tomei
Playwrights Horizons: Demonology. Broadway: The King and I, To Be or Not to Be, Amadeus, Seminar. Off-Broadway: Old Fashioned Prostitutes, The Bacchae, The Winter’s Tale (Obie Award), Macbeth (The Public); Quills (Obie Award, Drama Desk nomination), Kaos (NYTW); 'Tis Pity She’s a Whore, Loot, Volpone (Red Bull Theater); Measure For Measure, Souls of Naples (TFANA); Iphinigia 2.0, Harlequin Studies (Signature). Film: Donnie Brasco, Frequency, Eraser, Carlito’s Way, Far and Away, Possession, The American Astronaut, A Bird of the Air. TV: “Bluebloods,” “Law & Order(s),” “The Sopranos,” “CSI,” “Star Trek T.N.G.,” “Alias,” “Mildred Pierce.” Obie Award for Sustained Excellence. MFA NYU, student of Peter Kass.
(as of 2/1/17)
Playwrights Horizons: Maple and Vine, Completeness, The Flick (Drama Desk nom.). Broadway: The Glass Menagerie; The Real Thing; The American Plan; In the Next Room, or the vibrator play. His sound design and music have been heard in many Off-Broadway and regional theaters. Recent work: The Antiopodes (Signature); Julius Caesar, Hamlet (NYSF). Obie Awards for Annie Baker's John, and Sustained Excellence in Sound Design.
Creative Team
David Harwell
Scenic DesignerTherese Bruck
Costume DesignerAnne M. Padien
Lighting DesignerMichael Clark
Sound DesignerLeila Knox
Production Stage ManagerPhotos of (1) Marisa Tomei; (2) Bray Poor and Rocco Sisto by Joan Marcus