LYNN NOTTAGE’s new play, By The Way, Meet Vera Stark, enjoyed an extended run Off-Broadway at Second Stage Theatre (Lily Award, Drama Desk Nomination) and most recently at the Geffen Playhouse.  It can be seen this upcoming season at Lyric Stage in Boston and The Goodman Theatre in Chicago.  Her Pulitzer Prize-winning play Ruined premiered at Manhattan Theatre Club and Goodman Theatre (OBIE, Lucille Lortel, New York Drama Critics’ Circle, Audelco, Drama Desk, and Outer Critics Circle Award for Best Play).  It subsequently toured widely throughout US regional theatres and premiered internationally at the Almeida Theatre in London. The play has since been produced throughout the world, including Cambodia, Chad, The Caribbean, The Democratic Republic of Congo, and Germany.  Her other plays include Intimate Apparel (American Theatre Critics and New York Drama Critics’ Circle Awards for Best Play); Fabulation, or The Re-Education of Undine (OBIE Award); Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers and POOF!.

Nottage is the recipient of the 2010 Steinberg Distinguished Playwright Award, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize for Outstanding New American Play (Ruined), Helen Hayes Award (Ruined), the Lee Reynolds Award, and the Jewish World Watch iWitness Award. Her other honors include the 2007 MacArthur Foundation “Genius Grant,” the National Black Theatre Festival’s August Wilson Playwriting Award, the 2005 Guggenheim Grant for Playwriting, the 2004 PEN/Laura Pels Award for Drama, as well as fellowships from the Lucille Lortel Foundation, Manhattan Theatre Club, New Dramatists and New York Foundation for the Arts. She is a graduate of Brown University and the Yale School of Drama, where she is currently a visiting lecturer. She is a co-founder and producer at Market Road Films LLC, a film production company. 

Nottage is a board member for Theatre Communications Group, BRIC Arts Media Bklyn, Donor Direct Action, The New Black Fest, Voice and Vision, and the Dramatists Guild. 

At Playwrights Horizons: Fabulation, Inked Baby. Other New York credits include the recent Her Requiem at LCT3, The Miracle Worker on Broadway, Dear Elizabeth at The Women’s Project, Tales from Red Vienna and Ruined at Manhattan Theatre Club (Drama Desk, Lucille Lortel nominations), How I Learned to Drive at Second Stage Theatre, The Piano Teacher at the Vineyard Theatre, Oroonoko at TFANA and Massacre at the Labyrinth Theatre Company (of which she is a member).  Recent Regional credits include Lynn Nottage’s Sweat at Oregon Shakespeare Festival and Arena Stage. 

(as of 08/23/2016)