Playwrights Horizons debut. Off-Broadway: Small Mouth Sounds (Signature Theatre), These Paper Bullets! (Atlantic Theater), The Thugs (SoHo Rep.). Regional: These Paper Bullets! (Yale Rep and Geffen Playhouse), Noises Off (Actors Theatre of Louisville), 36 Views (Huntington Theatre). Film: A Woman, A Part; Loitering with Intent. TV: “Codes of Conduct,” “White Collar.”

Playwrights: A Life. Taylor holds an MFA from the Actors Studio Drama School. Broadway: The Book of Mormon (Eugene O’Neill), Marvin's Room (Roundabout). Off-Broadway: The House that Will Not Stand (NYTW), The Underlying Chris (Second Stage), Lost Lake (MTC). TV: series regular on Invasion (Apple TV+), Orange is The New Black, NCIS: New Orleans, Random Acts of Flyness, Jessica Jones, and more.

Playwrights Horizons debut. Off-Broadway: Angels in America (Signature Theatre), Dot (Clubbed Thumb), The Thugs (SoHo Rep.), Cavedweller (NYTW). Film: Music for People Who Can’t Go Home, The Missing Person. TV: “One Life to Live,” “Brotherhood,” “Without a Trace."

Emmy and Tony Award winner David Hyde Pierce made his professional and Broadway debut in 1982 as the waiter in Christopher Durang’s Beyond Therapy and will return to the Great White Way in the spring of 2017 as Horace Vandergelder in the revival of Hello, Dolly! opposite Bette Midler. Pierce won a Tony Award for his starring role in the musical Curtains and was also nominated for his performance in Durang’s Vanya and Sonia and Masha and Spike. Other recent New York stage credits include Broadway’s Accent on Youth (Manhattan Theater Club), La Bête (also London) and the John Kander musical The Landing (The Vineyard).  He made his Playwrights Horizons debut in 1987 in Richard Greenberg’s The Maderati and also appeared in their 1989 Broadway production of Wendy Wasserstein’s The Heidi Chronicles. Other New York stage credits include Monty Python's Spamalot (Drama Desk nomination); Hamlet and Much Ado (New York Shakespeare Festival); and the Off-Broadway productions That's It, Folks!; The Author's Voice; Zero Positive; Elliot Loves; and White Rabbit Red Rabbit. Regionally, Pierce has appeared in Holiday and Camille (Long Wharf Theatre); Candida (Goodman Theatre); and The Seagull, Tartuffe, Cyrano and Midsummer Night's Dream (Guthrie Theatre); as well as Peter Brook’s The Cherry Orchard in New York, Moscow, Leningrad and Tokyo. In Los Angeles, he appeared in Terrence McNally’s It’s Only a Play (Doolittle Theatre) and Six Dance Lessons in Six Weeks (Geffen Playhouse, opposite Uta Hagen). Pierce’s film credits include Bright Lights, Big City; Crossing Delancey; Little Man Tate; Sleepless in Seattle; Wolf; Nixon; Isn't She Great; Wet Hot American Summer; Full Frontal; Down with Love; A Bug's Life; Osmosis Jones; Treasure Planet; and the Sundance Film Festival Selection The Perfect Host. His television credits include a short but happy stint on Norman Lear’s political satire “The Powers That Be,” and a long but happy stint on “Frasier,” for which he earned four Emmy Awards and the American Comedy, Television Critics, Viewers for Quality Television and Screen Actors Guild Awards. Last year, he returned to series television with a guest arc on “The Good Wife” and also reprised his role on the Netflix reboot of “Wet Hot American Summer: First Day of Camp.” Now making his mark as a director, Pierce’s credits include David Lindsay-Abaire’s Ripcord at MTC, Broadway’s It Shoulda Been You (also  George Street Playhouse), the Los Angeles premiere of Vanya and Sonia… and The Importance of Being Earnest (Williamstown Theatre Festival). Pierce has worked with The Alzheimer’s Association for nearly twenty years as a board member and national spokesperson. In 2010, he was awarded the Tony Awards’ Isabelle Stevenson Award for his work with the Association. (as of June 2016)

Playwrights Horizons: The Light Years, A Life (Lortel Award, Drama Desk nomination), Marjorie Prime, Your Mother’s Copy… Broadway: Marvin’s Room. Other Off-Broadway: The Antipodes, Everybody (Signature); The Nether (MCC, Lortel nomination); Buzzer (The Public); The Wolves (Playwrights Realm). Regional: Yale Rep, Bard Summerscape, Cincinnati Playhouse, Oregon Shakespeare Festival, Williamstown, Southcoast Rep. Opera: Opera Theatre of St. Louis, Boston Lyric Opera, Opera Philadelphia, Atlanta Opera. Obie Award for Sustained Excellence in Design.

Recent theatre design projects: LITTLE BEAR RIDGE ROAD by Samuel D. Hunter directed by Joe Mantello and starring Laurie Metcalf; INHERIT THE WIND by Jerome Lawrence and Robert E. Lee, directed by Henry Godinez, at the Goodman’s Albert Theatre. THE COST OF LIVING by Martyna Majok, directed by Jo Bonney on Broadway at the Samuel Friedman Theatre; Other Broadway credits include The Roundabout Theatre Company's revival of MARVIN'S ROOM by Scott McPherson directed by Anne Kauffman starring Lili Taylor, Celia Weston, and Janeane Garofalo and THE HEIDI CHRONICLES by Wendy Wasserstein, directed by Pam MacKinnon starring Elisabeth Moss, Jason Biggs, and Bryce Pinkham.

Playwrights Horizons: The Profane, Rancho Viejo, A Life, Placebo, This, Grand Concourse, The Call, Go Back to Where You Are, She Stoops to Comedy. Other Off-Broadway: Everybody (Signature), All the Ways... (MCC), War (LCT3), Gloria (Vineyard), The Way We Get By (Second Stage), Buzzer (The Public), An Octoroon (Soho Rep., TFANA), Generations (Soho Rep.). Regional: For Peter Pan on her 70th birthday (Humana Festival 2016, Berkeley Rep).

Playwrights: A Life (Lortel Award, Drama Desk nomination). Other Off-Broadway: The Undertaking (The Civilians/BAM), World Of Extreme Happiness (MTC), Fulfillment (The Flea, Drama Desk nomination), Stupid F*#king Bird (The Pearl), The Old Man and The Old Moon (New Victory, Williamstown), My Mañana Comes (Playwrights Realm, Lortel nomination), The Elaborate Entrance of Chad Deity (Second Stage, Lortel Award). Regional: La Jolla Playhouse, Old Globe, Third Rail Projects, Center Theatre Group, Goodman Theatre. mikhailfiksel.com

Playwrights Horizons: Bella, A Life, Men On Boats, Marjorie Prime, The Christians. Broadway: Bullets Over Broadway, Matilda, Bronx Bombers, Hands on a Hardbody. Other Off-Broadway: Charm, Punk Rock, The Village Bike, The Third Story (MCC); Sundown, Yellow Moon (Ars Nova/WP Theater); Red Speedo (NYTW); Abundance (TACT); Venice (The Public); Bronx Bombers (Primary Stages). Regional: multiple productions at The Old Globe and La Jolla Playhouse, most recently the development of John Leguizamo’s Latin History for Morons. MFA: UC San Diego.