T. Adamson is a Texas-raised writer and theater artist of Anglo/Mexican ancestry. His play Usus (Clubbed Thumb) was named among the Best Theater of 2024 by Vulture and The New Yorker. Other plays include The Straights (JACK), The Natural Horse (Alleyway Theatre; Brisbane Festival), and My Dead Father, the Salesman. Honors include Bruntwood Prize Shortlist, Maxim Mazumdar Award, and the 2022 Paula Vogel Playwriting Award. T. has developed work with Playwrights Horizons, Vineyard Theatre, Clubbed Thumb, NYTW, Mercury Store, Cutting Ball, Fresh Ground Pepper NYC, Great Plains Theater Commons, and many others. Living in New York. Teaching at SUNY Purchase. MFA: Hunter College.
Miranda Cornell (she/her) Playwrights Horizons debut! Recent directing credits include both the world and Off-Broadway premieres of Indian Princesses (La Jolla Playhouse, Atlantic & Rattlestick Theaters), The Heart Sellers (Stages Houston) and Chairs (Clubbed Thumb WinterWorks). She has developed work with Roundabout, NYTW, Clubbed Thumb, the Vineyard, Playwrights Realm, Ma-Yi, The New Group, the Asian American Arts Alliance, Round House, Cleveland Playhouse and more. Associate/resident credits include The Outsiders, The Doctor, Dear Evan Hansen. Formerly: Van Lier fellow in theatre at A4, Roundabout Directors Group, 2050 Artistic Fellow at NYTW and a Clubbed Thumb New Play Directing fellow. BA: Vassar College. mirandacornell.com
Gabi returns home to Texas to help her mother care for her dying grandmother. As María hovers on the threshold of life, experiencing ecstatic visions of demons and angels from her hospital bed, Gabi balances on a threshold of her own. With startling clarity and sly wit, The Annunciation traces three generations of Mexican-American women to confront the overlapping crises of morals and faith at the heart of the nation today, inviting us to consider our personal and political identities — and to ask how they might be reimagined.
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