Wold Meteor
- Written by Kate Attwell
- Songs by Sunder Ganglani
- Directed by Dustin Wills
- A co-production with P73
- In partnership with Working Theater
Kate is a writer who works between London and New York. Commissions include Chichester Festival Theatre, Playwrights Horizons, MTC / Sloan, A.C.T., EST, WRAPT Films/OpenSky, and Yale Rep. She is part of the Royal Ballet & Opera’s Jette Parker Artists programme, Making the Future of Opera. Recent productions include The Assemblywomen at CSULB/Cal Rep, Testmatch at The Orange Tree, Octagon Bolton, and A.C.T. (“Riveting” – Guardian), Big Data at A.C.T., (“a masterclass in live theatre” – Forbes), Jesus in Manhattan at EST ("Ambitious and memorable" - NY Times), and Demonstrating the Imaginary Body at the Public Theater's Under the Radar festival and REDCAT. She has been a member of Ars Nova's PlayGroup, Page 73’s writers' group, a Mabou Mines Resident Artist and on the Public Theater’s Devised Theater Working Group. Her plays are published by Nick Hern.
Sunder Ganglani works between forms: music, theater, civil disobedience, pedagogy. As former Co-Artistic Producer of The Foundry Theatre in NYC his works with W. David Hancock, Ariana Reines, Claudia Rankine, Melanie Joseph and many others won all kinds of awards. As a musician, composer, and organizer he’s grateful to have a creative home with The Chxrch of Stop Shopping where he works with Billy Talen, Savitri D, and Stop Shopping Choir as chosen family. Right now he's making music with Darius Jones, Samita Sinha, and Ash Fure; and he plays with Agnes Borinsky and Sky Lou in The Bernadettes, a band. He’s also the Artistic Director of Cornerstone Theater Company in Los Angeles.
Dustin Wills is a theatre and opera director based in New York City. Upcoming productions include Tchaikovsky's Eugene Onegin (Heartbeat Opera), Mozart’s Le Nozze di Figaro with Anthony Roth Costanzo (Little Island NYC), Jeremy O Harris’ A Boy’s Company Presents: Tell Me If I’m Hurting You, and some unannounced secret stuff (!!) Recent theatre: Hansol Jung’s Wolf Play (2023 Lucille Lortel Award for Outstanding Direction and Production), John J. Caswell Jr.’s Wet Brain (Playwrights Horizons/MCC), Kate Tarker’s Montag (Soho Rep), and Awful Event! (Baryshnikov Arts Center Residency). Recent opera: Handel’s Alcina, Mozart’s Die Zauberflöte and Stravinsky’s соловей. Dustin has devised new work with Teatro L’Arciliuto in Rome, Italy, created large-scale puppetry pageants with Creative Action, trained with Augusto Boal in Theatre of the Oppressed legislative performance, and for a couple of years gave rogue tours of the Vatican. He is a 2023 Obie Award winner, SDCF Callaway Award finalist, Princess Grace Award recipient, a Drama League alum, and Boris Sagal directing fellow. He teaches in the Directing and Playwriting programs at the David Geffen School of Drama at Yale with a focus on new play development and directing for opera.
A great stone falls from the atmosphere at 3 o’clock on 13 December 1795, plummeting into Emory Miller’s farm. In its wake come reports of fire and strange flashes of light. What happens next is the story of a townspeople divided, manipulated by fear and destitution at the hands of the wealthy few. A darkly funny musical allegory for modern times, Wold Meteor is a potent, cautionary fable that asks in a shadowy age: What sacrifice will bring about change?
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Wold Meteor is the result of a Harold and Mimi Steinberg Charitable Trust Commission awarded by Playwrights Horizons.