Recent credits include Beau Willimon’s The Parisian Woman (Broadway), Amélie (Broadway, Ahmanson Theatre, Berkeley Rep), David Mamet’s China Doll (Broadway), Wendy Wasserstein’s The Heidi Chronicles (Broadway), Bruce Norris’ The Qualms (Playwrights Horizons, Steppenwolf), Edward Albee’s A Delicate Balance (Broadway), Edward Albee’s Who’s Afraid of Virginia Woolf? (Broadway, Arena Stage, Steppenwolf; Tony and Drama Desk Awards, Outer Critic Circle nomination), Bruce Norris’ Clybourne Park (Broadway, Mark Taper, Playwrights Horizons; Obie Award, Tony and Lortel nominations) and Sarah Teem’s When We Were Young and Unafraid (Manhattan Theatre Club). Pam is an alumna of the Drama League, the Women’s Project and Lincoln Center Theater Directors Labs; an associate artist of the Roundabout Theater Company; board president of the Society Stage Directors and Choreographers; board chair of the New York City downtown company Clubbed Thumb, dedicated to new American plays; and Artistic Director designate of ACT in San Francisco.
A few years ago, while cleaning out some boxes or desk drawers in my childhood home, my mom came across something she thought I might like to have: a booklet in which my pediatrician, Dr. Grossman, had recorded his observations about me over the course of the first six years of my life. In this booklet, between directives about diet and the dates of various milestones ("Sat without support: six months." "First step: age one."), are peppered some frank assessments of my personality and temperament: At one year, six and a half months: "Expect his tantrums to recur."
Tim: What brought you to playwriting?
Itamar: I was interested in writing from a pretty young age. I was a big sci-fi and fantasy book nerd as a kid. And so I think my first writing ambition was to write fantasy novels. Then in high school, I was at Berkeley High, which is a really crazy, diverse place to go to school, and the clique of weird, outsider, artsy kids at Berkeley High who were a little older than I was were really impressive to me. I thought they were really, really cool and they were writing plays and putting them on and I thought that was really exciting.