Each year, we present six plays and/or musicals, four in the 198-seat Mainstage Theater and two in the 128-seat Peter Jay Sharp Theater. Each show runs for six and one-half weeks, and every show is a world, American or New York premiere production of a new work by an American writer. We are committed to presenting each show with the best possible production values, which serves the vision of the writer and gives the audience a truly enriching artistic experience.
NEW PLAY AND MUSICAL THEATER DEVELOPMENT
These behind-the-scenes programs encompass all phases of new play development and help writers to develop their newest work. Each year, we award three to six new commissions to support writers during the creation process; presents developmental readings, which range from one-day to two-week events, of up to 25 new works-in-progress; produces three or more musical theater staged readings; and receives, reviews and responds to nearly 1,000 full-length scripts and scores submitted through an open door policy, one of the only programs of its kind in the country.
Arts Access programs include discount membership tickets for students at the high school and college levels, people age 30 and under, and the general public; flexible and affordable subscription and membership packages; a five dollar ticket lottery; and open captioned performances for deaf and hard of hearing individuals. Audiences learn more about productions and writers and the process of new play development through Production Bulletins that feature essays by the artistic staff and playwrights. Post-performance discussions conducted for each season production offer the writer and the audience an opportunity to converse and discuss each play.
We train and mentor 10 to 12 students and early-career professionals each season in the areas of casting, literary management, directing, stage management, marketing, fundraising, and musical theater. Fellows leave the program with valuable connections and marketable skills, poised to become the next generation of theater artists and administrators.
Our Resident Company program provides like-minded theater companies the space and resources to create more art, and expand their capacity to provide artistic opportunities to writers. In 2014, we announced Clubbed Thumb (Maria Striar, Producing Artistic Director) as our inaugural Resident Company, and we've since taken on various collaborations, including our co-production of Men On Boats. This year we've welcomed Musical Theatre Factory (Shakina Nayfack, Artistic Director) as our second resident company!
Since 1983, the School, in association with New York University's Tisch School of the Arts’ Undergraduate Drama Department, has offered students a unique four-year program that emphasizes professional development and interdisciplinary theater training.
We lease two floors of space at 440 Lafayette Street, which include 16 rehearsal studios and two theater spaces. When the spaces are not in use by the Playwrights Horizons Theater School, they are rented out as "440 Studios." Conveniently located and affordably priced, spaces at 440 Studios are rented to hundreds of not-for-profit arts groups and educational organizations annually.
Ticket Central is a professional box office managed by Playwrights Horizons that provides high-quality, affordable ticketing and marketing services to more than 50 small and mid-size not-for-profit arts organizations and producers around New York City. Ticket Central serves approximately 250,000 ticket buyers annually.
Photos (1) Members of the 2014/2015 Season Playwrights Horizons Theatrical Residency Program. (2) Brian Hutchison, Quincy Tyler Bernsteine and John Ellison Conlee in a Playwrights Horizons New Works Lab reading of Tumacho by Ethan Lipton.