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Watch a trailer or a video interview, read essays by our writers and artistic staff, peruse interviews with our writers—it's all here, and it's all exclusive to Playwrights Horizons.

Playwrights' Perspectives

Playwright's Perspective: The Treasurer

Before our final workshop of “The Treasurer”, I board a bus to visit my grandmother. I’ve been readying the play for production, but she does not know it exists. Late at night, toiling over her favorite phrases, a fact starts bobbing: I’ve given much more time to this play than to her.

Essay

From the Artistic Director: The Treasurer

There is a reason these amazing actors and this peerless director have been so committed to this play for so long. It is a play of exceptional beauty, wisdom, and originality. I am so proud to present it to you.

Essay

Notes on Max Posner

I usually do everything I can to avoid referencing Chekhov. But as I search for a way to write about the wry, fragile, existentially troubled world of Max Posner’s plays, I find the comparison unavoidable.

Essay

Backstory: "Life as It Really Is"

Like the character Ida in “The Treasurer”, Max Posner’s grandmother ran for Albany County Clerk as the Republican-AIM candidate in 1967 (the first woman in the city’s history to do so), losing only narrowly to the Democratic incumbent after a spirited campaign.

Playwrights' Perspectives

Playwright's Perspective: For Peter Pan

I wrote 'For Peter Pan on her 70th birthday' as a gift for my mother (for her seventieth birthday). My mother grew up playing Peter Pan in Davenport, Iowa. As a child I looked at pictures scattered around my grandparents’ house of my mother wearing green tights and flying.

Essay

From the Artistic Director: For Peter Pan

Commentators have long noted the dark undercurrents of Peter Pan: the boy who wouldn’t grow up, whose shadow is cut from his body, the island of lost boys, the Freudian pairing of Father with Dr. Hook, the death and resurrection of Tinkerbell. Of course these dark elements are more than matched by Peter Pan’s underlying quest for transfiguration.

Essay

The American Voice: The Boy Who Would Not Grow Up

When he first flew into the bedroom of the sleeping Darling children in 1904, Peter Pan made an entrance not just onto the stage of London’s Duke of York Theatre but, indelibly, into the popular imagination. In conceiving this “Boy Who Would Not Grow Up,” J.M. Barrie invented a new myth, one that’s permeated our cultural psyche.
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