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David Cromer

Playwrights Horizons debut. Broadway: The House of Blue Leaves, Brighton Beach Memoirs. Off-Broadway: Man from Nebraska (Second Stage); The Band’s Visit, Women or Nothing (Atlantic); The Effect, Tribes, Our Town, Orson’s Shadow, Adding Machine (Barrow Street); Really Really (MCC); When the Rain Stops Falling, Nikolai and the Others (LCT). Regional and London: Come Back, Little Sheba (Huntington); Angels in America (Kansas City Rep); Our Town (Almeida in London). Originally from Chicago, his credits there include Sweet Bird of Youth (Goodman); A Streetcar Named Desire, Picnic, The Price (Writers Theatre); Cherrywood, Mojo, The Hot l Baltimore (Mary-Arrchie); The Cider House Rules (co-directed with Marc Grapey at Famous Door); Angels in America (The Journeymen), among others. For Michael Ira Cromer (1966-2015).

Reviews

More Reviews

Playwrights' Perspectives

Playwright's Perspective: The Treasurer

Before our final workshop of “The Treasurer”, I board a bus to visit my grandmother. I’ve been readying the play for production, but she does not know it exists. Late at night, toiling over her favorite phrases, a fact starts bobbing: I’ve given much more time to this play than to her.

Essay

From the Artistic Director: The Treasurer

There is a reason these amazing actors and this peerless director have been so committed to this play for so long. It is a play of exceptional beauty, wisdom, and originality. I am so proud to present it to you.

Essay

Notes on Max Posner

I usually do everything I can to avoid referencing Chekhov. But as I search for a way to write about the wry, fragile, existentially troubled world of Max Posner’s plays, I find the comparison unavoidable.

Essay

Backstory: "Life as It Really Is"

Like the character Ida in “The Treasurer”, Max Posner’s grandmother ran for Albany County Clerk as the Republican-AIM candidate in 1967 (the first woman in the city’s history to do so), losing only narrowly to the Democratic incumbent after a spirited campaign.