Kip Fagan

NYC: Jenny Rachel Weiner's Kingdom Come (Roundabout Underground); Ike Holter's Exit Strategy (Primary Stages); Heidi Schreck's Grand Concourse (Playwrights Horizons); Jesse Eisenberg's The Revisionist and Asuncion, Halley Feiffer's How to Make Friends and Then Kill Them, Heidi Schreck's There Are No More Big Secrets, Sheila Callaghan's That Pretty Pretty; or, The Rape Play (Rattlestick); Ariel Stess's The World My Mama Raised and I'm Pretty Fucked Up, Sheila Callaghan's Roadkill Confidential, Rachel Hoeffel's Quail (Clubbed Thumb); Carlos Murillo's A Thick Description of Harry Smith, Sam Hunter's Jack's Precious Moment (P73); Reggie Watts and Tommy Smith's Radio Play (PS 122). Regional: Alliance, Long Wharf, Woolly Mammoth, Williamstown, Humana, George Street Playhouse, Philadelphia Theatre Company, Portland Center Stage, Marin Theatre Company, City Theatre. Taught and/or directed at Juilliard, NYU, SUNY Purchase, National Theatre Institute, Strasberg Center. NEA/TCG directing fellow, Clubbed Thumb affiliated artist, co-founder of Printer’s Devil in Seattle.

• “Grand Concourse may well break your heart. You may need tissues by the end.”

  — Elisabeth Vincentelli, New York Post | Read Full Article

• “Insightful with a moving, even shocking epiphany.”

  — David Finkle, Huffington Post | Read Full Article

• “Quincy Tyler Bernstine is ever-excellent. Lee Wilkof is moving. Bobby Moreno brings welcome jolts of energy whenever he’s onstage.”

  — Charles Isherwood, New York Times | Read Full Article