Quincy Tyler Bernstine, Bobby Moreno, Ismenia Mendes, Lee Wilkof. Photo Joan Marcus.

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Ismenia Mendes, Quincy Tyler Bernstine. Photo Joan Marcus.

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Bobby Moreno, Ismenia Mendes. Photo by Joan Marcus.

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Heidi Schreck. Photo by Zack DeZon.

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Kip Fagan. Photo by Zack DeZon.

Heidi Schreck

Heidi Schreck is a playwright and two-time Obie Award-winning actor. Her first play Creature was produced in New York in by New Georges and Page 73 in a well-received production directed by Leigh Silverman; her second There Are No More Big Secrets, directed by Kip Fagan, premiered at Rattlestick Playwrights Theatre, and was a  New York Magazine and Time Out New York’s Critic’s pick. Most recently, The Long Wharf produced her dark recession-era comedy, The Consultant, which was developed at Playwrights and also directed by Fagan. A former Page 73 Playwriting Fellow and Sundance artist, Heidi is currently working on commissions for South Coast Repertory Theatre, Manhattan Theatre Club/Sloan Foundation, and True Love Productions. Grand Concourse marks her return to Playwrights Horizons after appearing as an actor in Annie Baker’s Circle Mirror Transformation (Theatre World Award) in 2010. She has also performed extensively at theaters such as The Public (Shakespeare in the Park), Manhattan Theatre Club, Two-Headed Calf, The Foundry, Clubbed Thumb, The Women’s Project, The Roundabout, Williamstown, Berkeley Rep and Center Theatre Group. On television, Heidi has appeared on The Good Wife, SVU, and Showtimes' Nurse Jackie, where she has also worked as a writer. Heidi is Playwrights Horizons’ first Tow Foundation playwright in residence.

Reviews
  • “Grand Concourse may well break your heart. You may need tissues by the end.”

    — Elisabeth Vincentelli, New York Post | Read Full Article
  • “Insightful with a moving, even shocking epiphany.”

    — David Finkle, Huffington Post | Read Full Article
More Reviews
  • “Quincy Tyler Bernstine is ever-excellent. Lee Wilkof is moving. Bobby Moreno brings welcome jolts of energy whenever he’s onstage.”

    — Charles Isherwood, New York Times | Read Full Article