At Playwrights Horizons: Fabulation, Inked Baby. Other New York credits include the recent Her Requiem at LCT3, The Miracle Worker on Broadway, Dear Elizabeth at The Women’s Project, Tales from Red Vienna and Ruined at Manhattan Theatre Club (Drama Desk, Lucille Lortel nominations), How I Learned to Drive at Second Stage Theatre, The Piano Teacher at the Vineyard Theatre, Oroonoko at TFANA and Massacre at the Labyrinth Theatre Company (of which she is a member). Recent Regional credits include Lynn Nottage’s Sweat at Oregon Shakespeare Festival and Arena Stage.
(as of 08/23/2016)
Topical and spooky. Christina Anderson is a talented newcomer who’s unafraid to take risks. Direction by Kate Whoriskey is excellent. Tony-winner LaChanze is gutsy.—Joe Dziemianowicz, Daily News
A Deeply Moving drama with a Sterling Cast. Christina Anderson is a gifted playwright you want to pay attention to. She has the voice of a poet, and the honesty of her voice and the integrity of her characters should stand her in good stead.—Marilyn Stasio, Variety
FOUR STARS. First-rate writing and consistently solid acting. It’s clear from the opening scene that the play’s young author has a great deal of promise.—Adam Feldman, Time Out NY