Daniel Jenkins, Keith Reddin, Kathleen Chalfant and Lisa Emery; photo by Joan Marcus


Full cast; photo by Joan Marcus


Lisa Emery, Keith Reddin, David Chandler, Kathleen Chalfant, and Daniel Jenkins


Kathleen Chalfant, Daniel Jenkins, Keith Reddin, and Lisa Emery; photo by Joan Marcus


Full cast; photo by Joan Marcus


Sarah Ruhl; photo by Zack DeZon

For Peter Pan on her 70th birthday

Mainstage Theater

Written by Sarah Ruhl
Directed by Les Waters

New York premiere

I took off my green tights. But before I went home, I stayed in the theater for a little while longer. Where you don’t have to grow up.

Playing Peter Pan at her hometown children’s theater is one of Ann’s fondest, most formative memories. Now, 50 years later, Neverland calls again, casting her and her siblings back to this faraway dreamscape where the refusal to grow up confronts the inevitability of growing old. In her highly anticipated return to Playwrights, Sarah Ruhl conjures a tender, yearning tale that flies in the face of time, in the search for a second youth.

Kathleen Chalfant — Ann
David Chandler — Jim
Ron Crawford — The Father
Lisa Emery — Wendy
Daniel Jenkins — John
Keith Reddin — Michael
Macy — A dog

Scenic Designer: David Zinn
Costume Designer: Kristopher Castle
Lighting Designer: Matt Frey
Sound Design/Original Music: Charles Coes
Sound Design/Original Music: Bray Poor
Fight and Fly Director: Ryan Bourque
Animal Trainer: William Berloni
Flying Effects: ZFX Flying Effects
Production Stage Manager: Amanda Spooner

Design Team Bios

Special thanks to the Laura Pels International Foundation for Theater for its generous support of this production.


Playwrights' Perspectives

Playwright's Perspective: For Peter Pan

I wrote 'For Peter Pan on her 70th birthday' as a gift for my mother (for her seventieth birthday). My mother grew up playing Peter Pan in Davenport, Iowa. As a child I looked at pictures scattered around my grandparents’ house of my mother wearing green tights and flying.


From the Artistic Director: For Peter Pan

Commentators have long noted the dark undercurrents of Peter Pan: the boy who wouldn’t grow up, whose shadow is cut from his body, the island of lost boys, the Freudian pairing of Father with Dr. Hook, the death and resurrection of Tinkerbell. Of course these dark elements are more than matched by Peter Pan’s underlying quest for transfiguration.


The American Voice: The Boy Who Would Not Grow Up

When he first flew into the bedroom of the sleeping Darling children in 1904, Peter Pan made an entrance not just onto the stage of London’s Duke of York Theatre but, indelibly, into the popular imagination. In conceiving this “Boy Who Would Not Grow Up,” J.M. Barrie invented a new myth, one that’s permeated our cultural psyche.