Jules They couldn’t get married, and then they could. Their families wouldn’t accept them, and then they would. They didn’t have any money, and then they did. There had to be something else to want.
It’s a faraway age of hope and inclusivity; in other words, it’s 2015. When a tight-knit circle of married gays and lesbians – comfy in the new mainstream – sees themselves through the eyes of their rakish transgender pal, it’s clear that the march toward progress is anything but unified. With stinging satire and acute compassion, Jordan Harrison’s pointed comedy charts the breakdown of empathy that happens when we think our rights are secure, revealing conservative hearts where you’d least expect.